Opera Glasses and Shear Madness: a Comedic Review

December 25, 2009 by · Leave a Comment
Filed under: Music 

Chances are, you have heard of Shear Madness, perhaps from a friend, or relative, and are considering attending a performance. My recommendation is that you should not attend, unless you would like to feel physical pain, and suffering from extreme laughter. However if you feel like you cheek and stomach muscles are in healthy enough shape, you may be able to endure this marathon of laughter. Opera glasses are very necessary for a performance of this type.

The stage is set to take place at a unisex hair salon. The usual gossip takes place. As in real life, for some reason, people seem to think they need to share their utmost secrets with their hairdresser. So many funny lines take place as well as an intriguing storyline. The people acting are extremely believable characters. You have the snapping gum pretty hairdresser with a gorgeous figure who is an airhead, the brightly colored clothing character played by the homosexual hairdresser (fabulously played by John McGivern in Milwaukee, Wisconsin when I attended), a high class society woman, policemen and the different clientele that comes in. Of course, one man is a hunk which makes John McGivern’s character giggle with glee.

Shear Madness is truly an evolutionary play; this is because it is always changing! What I mean by this, is that many of the words that are spoken in the play are not actually in the script but rather are given as improvisations by gifted comedians, in fact, much of the things talked about in the play focuses on current local and world news, you will never know what to expect. One of the things I found most amusing about this performance, is that many times, actors are caught off guard by the other actor’s improvised lines, and you see them trying to contain their own laughter. For this you will surely want to bring your opera glasses as not to miss a beat!

Unexpectedly during the play one of the actors will speak directly to a person or people in the audience to ask for opinions. You may even find yourself yelling out the answers. You must understand that you answer may vary from your neighbors, which adds an exciting new element to this wonderful performance. I do advise you to be careful if you find yourself in the first two or three rows, as you may become the topic of one of the jokes, remember though this is all in good humor.

Besides running a beauty salon and all of the gossip that it entails, Shear Madness’ plot pertains to a murder. The person murdered is the owner of the salon. The owner lived upstairs of the salon before she was murdered. As a member of the audience you are enthralled trying to figure out who the murderer is. Looking back at the play, each character in the play could possibly be the correct killer. You will find yourself squinting your eyes and eyebrows and scratching your head trying to figure out who committed the murder. Use your Opera glasses often to help you choose who the guilty murderer is.

There is one last twist me must tell you about this improvised performance, although the owner of the beauty salon is always the one who gets murdered at the beginning, the person who actually did the killing is different every time! As the plot develops the actors ask members of the audience for their opinions, and toward the end, a vote takes place in which the murderer is chosen. This development is always very comical, and you will love to hear the different reasons the killers give to justify their actions. There is one catch though, if you want to see why each murderer kills the owner, you will have to see it multiple times, as there is only one murderer in each showing!

This play is often called the longest running, or second longest running non musical performances. Many critics have given this play wonderful reviews, because of the witty comedy and wonderful performances, which is why of course; this play has been around for so long.

Remember when you attend, as always; bring your opera glasses, so as to not miss one single moment! Opera glasses will help you to make sure that you don’t miss one moment or a laugh.

Jeff Bridges has always loved the theater and opera, he currently helps run an opera glasses retail site where they sell opera glasses. Including Opera Glasses with handle, flashlight, chain and more!

Opera Glasses ” Luxurious Style, Spyglass Or Optical Device?

December 25, 2009 by · Leave a Comment
Filed under: Music 

If it wasn’t for the Dutch optician Hans Lipperhey, we might not have had either binoculars or opera glasses today. He first started manufacturing simple binoculars in 1608. These were not much more than two telescopes connected by a central bridge, but they led to many further modifications and improvements. His early binoculars had a magnification capability of x3. Within less than a year the Italian mathematician and inventor Galileo Galilee made another drastic stride forward by increasing the magnification ability of telescopes to x30.

Binoculars gave a much wider field of view than telescopes, but since they had 2 convex lenses, the picture that you saw was inverted. It wasn’t until 1617 that Anton Schyrle added an additional lens to re-invert the image. In 1758 John Dollond of England invented the achromatic (color free) lens and thereby solved the problem of color distortion.

The next step forward was made when an Italian gunnery officer by the name of Ignazio Porro developed prismatic binoculars during the ’50s. These offered an even wider field of vision than earlier binoculars and also a drastically improved magnification ability.

We don’t find any mention of opera glasses in the printed media before the 1730 – in London. These rather primitive opera glasses were not binoculars – they were mini-sized Galilean telescopes. People used them for decorative purposes as much as to watch opera. The bodies were mostly highly decorated with numerous gems, enamel, mother of pearl and ivory.

It wasn’t until 23 in Vienna that we first find mention of binocular-type opera glasses. These were in fact simply two small telescopes with a bridge connecting them. The telescopes had to be focused individually by extending the tubes.

These very soon became as much a fashion item as an optical instrument. The designs became more elaborate and had to be worked on by painters, goldsmiths and other artists to create the ultimate fashion accessory. Theater goers not only used this to watch the stage, but also to scrutinize other people in the audience – presumably to see who else had opera glasses!

The design was further improved substantially when it became possible to adjust both lenses at the same time using a small wheel in the center. This made opera glasses even more popular and soon everyone who was anyone had to have one. They were highly regarded as gifts – as one can clearly see when you study the inscriptions on many of these glasses dating back to the 17th century.

The variety of opera glasses available at present is very large. You still get monoculars, which are considered to be very stylish. You also get glasses with built-in reading lights and others with handles. You can even get one with a built-in jealousy glass – enabling you to discreetly watch someone in the audience without being noticed.!

Before you attend any performance make sure that you have a good pair of opera glasses. Here you can check out Opera Glasses with handle, flashlight, chain and more!

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